kateoplis:

"Mr. McKeever, a lawyer and part-time youth minister at Seventh and James Baptist Church in Waco, had prepared for worse when he committed to wearing the jumpsuit for Lent. After years of providing both spiritual and legal assistance to the poor and formerly incarcerated, it was time to do something more visible to call attention to the nation’s prison crisis, and to the obstacles inmates face on returning to society. But 40 days is a long time to dress like a convict, especially in Texas. “A couple different people said, ‘I hope you don’t get shot!’ ” …

Mr. McKeever, who grew up three hours west in Abilene, has worn prisoner’s clothes while delivering sermons, shopping for groceries, strolling the San Antonio River Walk and taking his daughter to the movies. He has kept a blog reflecting on his experiences (Day 6: “Stares, questioning glances, avoidance”) and on the politics of mass incarceration.

Engaging with those politics is the essence of his Christianity. ‘We follow a condemned criminal!…That’s very much at the heart of our faith. So I try to bring that in.’ …

Among other efforts, he has pushed employers to stop asking about a job applicant’s criminal history — an effort known elsewhere as ‘Ban the Box.’ But as a native Texan, he’s sensitive to tone. ‘I call it a fair-chance hiring policy…It’d be hard even in a conservative place not to get behind something called a fair chance.'”

An Orange jumpsuit for Lent

braiker:

RIP, maestro. 

Hasta luego.

austinkleon:

Jorge Luis Borges: The Task of Art

The task of art is to transform what is continuously happening to us, to transform all these things into symbols, into music, into something which can last in man’s memory. That is our duty. If we don’t fulfill it, we feel unhappy. A writer or any artist has the sometimes joyful duty to transform all that into symbols. These symbols could be colors, forms or sounds. For a poet, the symbols are sounds and also words, fables, stories, poetry. The work of a poet never ends. It has nothing to do with working hours. Your are continuously receiving things from the external world. These must be transformed, and eventually will be transformed. This revelation can appear anytime. A poet never rests. He’s always working, even when he dreams. Besides, the life of a writer, is a lonely one. You think you are alone, and as the years go by, if the stars are on your side, you may discover that you are at the center of a vast circle of invisible friends whom you will never get to know but who love you. And that is an immense reward.

Thx @robinsloan

dusdin:

Reminder that for April I’m starting a new series of monthly print sales.  

New limited editions of signed and numbered archival pigment prints.

One prints will be the most popular image I post to Tumblr the previous month.  The others will be taken from my archive. 

For the month of April 2014, I have:

I’ll only be able to make these prints if I receive at least 10 orders per image, so please, reblog and encourage your friends to come and check out my print sale!

Hayao Miyazaki - Self Portrait.

(via akratic)

And what can we make of two films by someone I had not yet heard of, a fellow in Lancaster, PA by the name of Jeremy Moss? Both of them, I would say, fall into the realm of mastery—no one ought to be confused at their inclusion in any experimental film festival, and in fact I’d say all such festivals should program Moss’s work posthaste.

Michael Sicinski: A Blistering Light at Crossroads Film Festival

My friend and former roommate, the masterful Jeremy Moss, getting the high praise he deserves.

Our Generation's Greatest Challenge »

rollthoserocks:

The Economist highlights what I believe is our generation’s greatest challenge: 

Over the past 30 years the digital revolution has displaced many of the mid-skill jobs that underpinned 20th-century middle-class life.

We’re only at the start of this change and as The Economist points out, if the “analysis is halfway correct, the social effects will be huge.”

As I wrote last May, overall I am optimistic about the future but there are going to be significant negatives that come with the advances. It’s important that we address the problems while nurturing the progress.

The Economist puts forward two ways for governments to support their citizens in the years ahead. The first is education. However, the paper points out that a dramatic change in education is needed, from rote-learning to creativity and critical thinking. The second is through some form of minimum income support.

Changing these systems in any developed nation will require incredible political will. At a time when partisanship makes it difficult for government to enact even minor reform and political leaders appear most interested in governing for electability, it’s hard to believe that changes of this nature can be done without a sizable negative event. Let’s hope that’s not the case.

This is indeed our generation’s biggest challenge, but education and minimum income (which is an idea I love) are small potatoes compared to the moral reform this will require.

Many humans’ labor will soon be worth close to nothing. In many instances, it already is. Meanwhile, in the United States, work ethic is strongly linked to moral worthiness. I mean, we use the term work ethic – if you don’t work, you’re good for nothing.

There’s no doubt that we’ll need to invent new things for people to do, but we’ll also likely need to train ourselves to be perfectly ok with people who do nothing. Particularly if we want to implement any kind of minimum income. That’s a far cry from the moral outrage we see directed at “welfare queens” today.

I'm Jed Sundwall. This is my blog, which you can follow on Tumblr or via RSS. You can talk to me on Twitter.