The acquisition of my tape recorder really finished whatever emotional life I might have had. But I was glad to see it go. Nothing was ever a problem again, because a problem just meant a good tape, and when a problem transforms itself into a good tape its not a problem any more.

Warhol Fast Art | New Republic

Sounds just like Instagram.

Don’t pay any attention to what they write about you. Just measure it in inches.

Andy Warhol

Guy Fieri’s having a great week thanks to Pete Wells’s review in the NYT.

We’re converting art into money.

Michael Strauss, Andy Warhol Foundation chairman, explaining the Foundation’s decision to sell off 20,000 Warhol works at once.

50 years later, Warhol’s punchline lands.

(Via Gawker)

(via dbreunig)

Quick thought on Rich Kids Of Instagram

Glancing at Rich Kids of Instagram, I’m reminded of Warhol’s quote about Coke:

What’s great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good. Liz Taylor knows it, the President knows it, the bum knows it, and you know it.

All the iPhones and Instagrams are the same.

newspeedwayboogie:

can you imagine Warhol + Internet???

bryanwaterman:

zombiesenelghetto:

Andy Warhol, died 25 years ago (August 6, 1928 – February 22, 1987)

He would have loved the Internet.

The Interview was all but complete when I met Jobs at a celebrity-filled birthday party for a youngster in New York City. As the evening progressed, I wandered around to discover that Jobs had gone off with the nine-year-old birthday boy to give him the gift he’d brought from California: a Macintosh computer. As I watched, he showed the boy how to sketch with the machine’s graphics program. Two other party guests wandered into the room and looked over Jobs’s shoulder. ‘Hmmm,’ said the first, Andy Warhol. ‘What is this? Look at this, Keith. This is incredible!’ The second guest, Keith Haring, the graffiti artist whose work now commands huge prices, went over. Warhol and Haring asked to take a turn at the Mac, and as I walked away, Warhol had just sat down to manipulate the mouse. ‘My God!’ he was saying, ‘I drew a circle!’

jimray:

curiositycounts:

Archival gold from the intersection of art and commerce: Letter from Campbell Soup product manager to Andy Warhol (1964)

In 2011, Campbell would’ve sued Warhol’s ass for derivative infrigement

EVERYONE: let’s get back to wishing one another continued success and good fortune.

FYI, Jim is referring to Andy Baio (nicest dude) getting sued by Jay Maisel for copyright infringement, which has caused huge frowning across the Internet this week.

EVERYONE: I wish you continued success and good fortune.

Andy Warhol Doesn’t Care

This is copied from a dead old blog of mine. I wanted to resurface it because a conversation with a friend reminded me of it this morning.

All of these quotes are from Andy Warhol’s last interview from Flash Magazine in 1987. I don’t know that much about Warhol, but I like what he’s said about business and art in the past.

I’ve bolded a few things that I like in the passages here—they’re mostly things that display a defenseless attitude that I admire. I like that he doesn’t seem to feel a need to defend his viewpoints or even what he just said.

Somewhere else in the interview he says that he always worked hard. Hey, let’s cultivate our gardens.

Paul Taylor: What about your transformation from being a commercial artist to a real artist.

Andy Warhol: I’m still a commercial artist. I was always a commercial artist.

Paul Taylor: Then what’s a commercial artist?

Andy Warhol: I don’t know - someone who sells art.

Paul Taylor: So almost all artists are commerical artists, just to varying degrees.

Andy Warhol: I think so.

Paul Taylor: Is a better commercial artist one who sells more work?

Andy Warhol: I don’t know. When I started out, art was doing down the drain. The people who used to magazine illustrations and the covers were being replaced by photographers. And when they started using photographers, I started to show my work with galleries. Everybody also was doing window decoration. That led into more galleries. I had some paintings in a window, then in a gallery.

Paul Taylor: Is there a parallel situation now?

Andy Warhol: No, it just caught on so well that there’s a new gallery open every day now. There are a lot more artists, which is real great.

Paul Taylor: What has happened to the idea of good art?

Andy Warhol: It’s all good art.

Paul Taylor: Is that to say that it’s all equal?

Andy Warhol: Yeah well, I don’t know, I can’t…

Paul Taylor: You’re not interested in making distinctions.

Andy Warhol: Well no, I just can’t tell the difference. I don’t see why one Jasper Johns sells for three million and one sells for, you know, like four hundred thousand. They were both good paintings.

I bet he’s good at spotting emperor’s clothes.

Paul Taylor: You’ve been in trouble for using someone else’s image as far back as 1964. What do you think about the legal situation of appropriated imagery, and the copyright situation?

Andy Warhol: I don’t know. It’s just like a Coca Cola bottle - when you buy it, you always think that it’s yours and you can do whatever you like with it. Now it’s sort of different because you pay a deposit on the bottle. We’re having the same problem now with the John Wayne pictures. I don’t want to get involved, it’s too much trouble. I think that you buy a magazine, you pay for it, it’s yours. I don’t get mad when people take my things.

Paul Taylor: You don’t do anything about it?

Andy Warhol: No. It got a little crazy when people were turning out paintings and signing my name.

Paul Taylor: What did you think about that?

Andy Warhol: Signing my name to it was wrong but other than that I don’t care.

Paul Taylor: The whole appropriation epidemic comes down to who is responsible for for art. If indeed anyone can manufacture the pictures of those flowers, the whole idea of the artist gets lost somewhere in the process.

Andy Warhol: Is that good or bad?

That’s the question, Andy!

Paul Taylor: And there’s going to be a retrospective of your films at the Whitney Museum.

Andy Warhol: Maybe, yes.

Paul Taylor: Are you excited about that?

Andy Warhol: No.

Paul Taylor: Why not?

Andy Warhol: They’re better talked about than seen.

This quote reminds me of Walker Texas Ranger because the episode where Alex gets ebola isn’t that great to watch, but it’s wonderful to talk about. As is the one where they try to kill Gage while he’s undercover as a knight at a Medieval Times by switching the balsa wood jousting stick with a pinewood jousting stick.

Paul Taylor: Your work as an artist has always been so varied, like Leonardo. You’re a painter, a film maker, a publisher… Do you think that’s what an artist is?

Andy Warhol: No.

Paul Taylor: Can you define an artist for me?

Andy Warhol: I think an artist is anybody who does something well, like if you cook well.

I imagine I’ll eventually discover a thing I do really well.

I'm Jed Sundwall. This is my blog, which you can follow on Tumblr or via RSS. You can talk to me on Twitter.